This rockfish is, once again from a printing workshop I took last Spring. I fused the purple organza before printing the fish.
I wish I had used a darker and heavier thread for the branch quilting on the outer part of the piece. I got good texture, which I attribute to the wool batting. I also thought the spray of beads across the piece is effective.
The fabric in this quilt is one of the first pieces of fabric that I dyed. The mountains were printed. I really fell in love with my Bernina quilting the sky. My Viking ate metallic threads like this. I was so happt with the way the machine was reacting, that I forgot to stop and change color of threads where I had intended. The image in the sky comes from petroglyphs of drawing by Kodiak Island's earliest residents.
Another Northern Lights quilt from the same piece of dyed fabric in the quilt shown above. I quilted differently and followed the quilting motifs with beads.
One more very small Northern Lights quilt.
I did the same quilting on the outer border of this quilt as I used on thea bird quilt shown above. Once again, a heavier thread with more contrast would have been more effective. I am scared to use threads with high contrast. I grabbed a piece of cotton batting when I layered this quilt and I think that the difference in loft is amzing. I prefer the look of the wool batting to the cotton. This quilt I sewed on rickrack to the quilt before I faced the entire quilt with a piece of backing prepared for fusing. I am not entirely happy with the way the corners turned out, but with more experimentation, this will improve. All of these pieces have fused backs, and with the exception of the final quilt, have fused bindings, which i have decided are great for very small pieces, but in the future, I will put a traditional binding on pieces that are 6" x 6" or more, like the larger Northern Lights pieces and the bird pieces.